My iPod #266: They Might Be Giants - Destination Moon

Here today is the album track "Destination Moon", the thirteenth track on They Might Be Giants' fifth album "John Henry".

John Linnell sings this one, and it's from the perspective of a patient in hospital who is very, very sick but continues to believe that he/she is fine and dreams of escaping in order to go to the moon via rocket.

If you've read my previous post on "AKA Driver", another song from this album, you don't really have to read on anymore because it will contain the same information. For those of you who haven't, don't stop reading this - but do listen to "Driver" if you have the chance.

I heard "Moon" around the same time as "Driver" and that was when I was listening my own customised radio station on Yahoo. That was a good site. I thought I liked it back then because I added it to this huge list of songs that I had seen on MTV and others that I generally enjoyed on my MSN Space. Remember MSN Spaces? It died years ago along with MSN itself which is a shame.

The problem that came out of that was I didn't listen to the song for years and ended up forgetting the melody of the song altogether. That changed when I downloaded "John Henry" in 2010, then it all started coming back to me.

My iPod #265: Manic Street Preachers - A Design for Life

Noted for being the first track the band worked on after guitarist Richey Edwards' unexpected disappearance, "A Design for Life" was the first single released from Manic Street Preachers' fourth album "Everything Must Go".

I watched its video a long time ago having no idea who the band was and still left in wonder of the thing. That James Dean Bradfield is an astonishing singer. The vocals on this track are delivered with pure passion and power, and both the pre-chorus and chorus themselves are nothing short of shiver-inducing with those dramatic string arrangements. I will go on to say that it's not my favourite MSP song. But my god you can't say that it isn't epic. Finding out that it was the first song the band released after a time when the band members weren't sure if they were even going to continue makes it that bit more special too.

My iPod #264: Green Day - Desensitized

The hours have rushed by, haven't they?

I am now back from my venture to Liverpool for the weekend, and it is time for the first of two posts.

First up is "Desensitized", a song by Green Day which was recorded whilst the band were working on "Nimrod". Apparently, they didn't feel as if it was the best to come out of those sessions. It wasn't released on the album, but as a B-side on the "Good Riddance (Time of Your Life)" single. However, Australians and the Japanese are fortunate to have it on their versions of the album. It later got released on the bands B-side compilation "Shenanigans" which came out in 2002.

I'd never listened to "Shenanigans" before and one day decided..... that I should. Out of the fourteen tracks on there, I only really like four of them including this one. It isn't amazing. You can tell why they didn't make it onto their albums they were recorded for. "Desensitized" had the potential more than most of the others.

Mike Dirnt, the band's bassist, completely beats the crap out of a lot of things with a baseball bat for the first twenty seconds or so. I don't really understand why, but the sounds of various items breaking upon the bat's impact segues into the song's main riff - one that alternates between G and C (I believe) starting and stopping to allow Billie Joe to fill the silences with the vocals. That's just the verses though. Listen to the song, if you like it then you're welcome.

My iPod #263: Animal Collective - Derek

A very early post today. I will soon be off to visit my friend at his uni for his birthday so in order to prevent myself from having to do three entries when I come back on Sunday, here is the "Derek" - the last track from Animal Collective's 2007 album "Strawberry Jam".

I recently listened to "Strawberry Jam", about a week ago or so. The only other album I had listened to in full was, what is probably considered to be their best, "Merriweather Post Pavilion". That album sounded like it was recorded in another universe, and considering 'Best Ever Albums' had "Jam" rated as their second best I thought I might as well give it a listen. First to see how it sounded, and to figure out whether it was as good.

I can conclude that I do like "Strawberry Jam". I'll have to listen to it again because it normally takes me more than one to really get into any album. But "Peacebone" and "Derek" were ones that left a mark.

"Derek" did because of its time signature changes and innocent melody further accentuated with Panda Bear's lyric where he 'talks' to his child about Derek, the old dog he used to own. He realises that he didn't take care of him that well, and is not prepared to make the same mistake again now that he was a parent. He is ready to take on this great responsibility. A sudden clap begins the triumphant ending where Panda lets his child know that he/she can always count on him when the time comes along with a rampant stomping beat a bit similar to "We Will Rock You".

A very heartwarming way to finish an album.

My iPod #262: Babyshambles - Delivery

"Delivery" was the first single from "Shotter's Nation", the second album by Pete Doherty's post-Libertines band Babyshambles.

The song was important enough that its music video premiered on Channel 4 at a ridiculous time when a lot of people were bound to be asleep including myself. So I didn't see it until the next day, when it was repeated many times on MTV2.

Being the first new piece of material the band had released since "The Blinding EP", and their first new song I'd heard since the slow and pretty tame track "Love You But You're Green", "Delivery" did not disappoint.

Alongside a riff that sounds like an early Kinks track is an earnest lyric from Doherty. He's not feeling great - forlorn and frozen beneath the summer, in his words - and so to relieve the strain he writes this song - the delivery - that comes from the bottom of his heart. I guess this was his way of stating what he was really going through while everyone was going on about his drug abuse and legal problems. All very sad. I like it.

My iPod #261: The Offspring - Defy You

"Defy You" is a track The Offspring recorded for the movie "Orange County"* in 2001. The song was released after the band had released their most album "Conspiracy of One" the previous year, and so it was only available on its single release until 2005 when it appeared as the twelfth track on the band's greatest hits compilation. It is also their last single featuring original drummer Ron Welty, who coincidentally is focused on a lot in the song's video.

The track differs a lot in attitude compared to the band's other singles. I had heard "Original Prankster", "Hit That", "Job" and obviously "Pretty Fly" which, when you look at the lyrics for those particular examples, are quite funny songs which aren't really meant to be thought upon that much. But "Defy You's" message of never giving up and standing up for what you believe was something that I did not expect and struck me when I first saw it on the TV. This was a serious Offspring single I was listening to.

I like their 'jokey' singles, but "Defy You" is one that does not pull any punches. There are no "uh-huh, uh-huhs" or references to popular culture - only a heavy performance and a great vocal by Dexter Holland. It is possibly the coolest track the band have ever done.

My iPod #260: Billy Talent - Definition of Destiny

You know what I just figured out? Literally a few minutes before typing this, every last song on Billy Talent's albums from "Voices of Violence" to "Dead Silence" went through my mind. Despite differences in tempo, structure and everything - all of them are in D major... I wonder why that is. Do you think that they even realised this? Has anyone else pointed this out before? What the hell, Billy Talent, what the hell. They are all solid tracks, I have all of them on my iPod, but they have to use another key sooner or later, right?

On with today's song.

"Definition of Destiny" is the final track on Billy Talent's third album "Billy Talent III", the last of their usual Roman numerical naming order, released in 2009. Normally the last songs on Billy Talent albums are worth the wait, and the same applied to "Definition" too. It is quite similar to "Burn the Evidence" in that the instrumentation during the verses mirrors the reflective and observational lyrics, staying at a steady beat and keeping a cool rhythm with guitar arpeggios, before turning the levels up and continuing into a stomping and chord heavy chorus which puts emphasis on the intense message of living life to the full your own way before ending up in the casket. Good way to end an album all in all.

I won't say too much about listening to the album for the first time or how I felt waiting for its release; I'll probably save that for "Devil on My Shoulder". However, I will simply state my opinion which is that 'III' is not their best work. Some may agree, others may not. The album is okay, but not as good as their first two. The production is different (which is understandable as they used the same producer for the two before) but the tracks lack in something as a result. Less of a bite in guitar tone, perhaps. But most importantly.... there is barely any screaming. That was a disappointment on first listen.

My iPod #259: The Futureheads - Decent Days and Nights

When I was standing on a chair in the living room and being an idiot like every other child, the original video for "Decent Days and Nights", the song from The Futureheads' debut album came on MTV2. In the video, the band were in a huge warehouse, standing on podiums whilst playing their instruments. That video seems to have disappeared, as it's not even on YouTube. Does anyone else remember the version I am talking about? It is cool if you do.

No, the video above is one they produced when they re-released the single in 2005. That was the radio mix, which included a new introduction and overall cleaner production. The version I listen to is the original album version, which is the opposite. The guitars sound a bit rough and messier, I swear I always hear this hissing sound during the 'chorus' but apart from that the punchy drums, those sweet harmonic vocals the band are known for and the song structure is the same.

I also didn't recognise until recently why I thought this song was a bit disorienting. The time signature changes throughout the bloody thing. It is 4/4 for the majority, but it switches to 3/4 and 2/4 too. It's very strange, but does it makes the track a lot more fluid. The verse just rolls right into the 'chorus' (which it doesn't really have hence the apostrophes) which then segues into the bridge and so on and so forth. Not one section drags on for too long and so it maintains your attention.

Another one to remember from the good times that were the mid-2000s.

My iPod #258: Pixies - Debaser

"Debaser" is the crazy, loud and energetic opener to Pixies' 1989 album "Doolittle". Lead singer Black Francis wrote it after seeing a movie where the first scene shows an eyeball being slit by a razor.

I wish I had more to say about this song. But it's just one of those that hasn't had that much impact on my life than it probably has for many other people. I simply like it.

It's not the first one of the band's I listened to, that goes to "Velouria" or "Here Comes Your Man"..... maybe even "Build High" - my memory's fading. But I do think I saw the official video (above) on TV and thought "What the hell, is this even a song?" or something along those lines. Francis' yelling definitely threw me off the first time as it may do for any listener who hasn't heard "Debaser" before. But listening to it along with the other fourteen tracks that accompany it on the album, it all made sense.

My iPod #257: Coldplay - Death and All His Friends

Ah, Coldplay. Not my favourite group. But nevertheless they are back with a new album, their sixth to be exact, in May entitled "Ghost Stories". They've put out two songs already: "Midnight", which got some polarizing feedback due to its minimalism  - and the first official single "Magic" which is quite similar to "Midnight in the way that there are barely any instruments in it, but actually has a beat and a good melody. It is the one which I like a bit myself and it is better than the former song. But that's just my opinion.

Today's song is the other title track from Coldplay's fourth album "Viva la Vida or Death and All His Friends", commonly known as "Viva la Vida". Most people know it for the album where Coldplay changed. They went around wearing suits a la The Beatles during the Sgt. Pepper phase and generally went for a new approach in making their music. Some may have found it pretentious. I think it's their best album. I have "Parachutes", "A Rush" & "X&Y"; they have their moments, but "Viva" along with "Prospekt's March" - that is good listening. No to "Mylo Xyloto" though.

The beginning of "Death and All His Friends" is actually a song that was meant to be separate altogether. This was its original incarnation. It's very calm and soothing for the first half before bursting into life when the rest of the band join in and abruptly changing into the soaring and climactic ending (in 7/4 time signature) which will catch any first listener by surprise. The song is a triumphant ending to a wonderful album. There is a full version of the instrumental that you hear at the beginning of the very first track of the album, but I cut that out before putting it on my iPod. You can't beat that ending.

My iPod #256: The Beatles - Dear Prudence

"Dear Prudence" is the second track on the first disc of The Beatles' self titled album from 1968. It was one of many to be written by John Lennon when the group visited India earlier in the year for a meditation course, in order to get away from all the added attraction the band brought onto themselves the previous year. Many people joined the band on their visit and would be entertained by the group whenever there weren't any lectures occurring, but there was one who would retreat back to their room, meditate some more and barely keep in contact with anyone. That person was Prudence Farrow, this was John's message to her.

That's just a bit of background info.

I became a huge Beatles fan in late 2009. Around the time the new album remasters and The Beatles: Rock Band came out, coincidentally. I downloaded (almost) every Beatles album as I was awed at just how consistently good their songs were, even as they changed through the years.

If only I was typing this to you from the computer back home, I could tell you when I actually first downloaded "The Beatles" and therefore listened to "Dear Prudence" for the first time. I can't remember if I had seen its dreamscape from the game before listening to the whole album, or vice-versa....... It's nothing to dwell upon, really.

I don't think I've typed anything that would have convinced you to listen to the song. I'm not able to tell you just how good this song is with the less-than-satisfactory vocabulary I have.

It is one of Lennon's best - a beautiful and timeless track.

My iPod #255: Paul & Linda McCartney - Dear Boy

"Dear Boy" is the fourth track on Paul McCartney's second solo album (credited to both he and wife-at-the-time Linda) Ram, released all the way back in 1971.

Paul believed he was very lucky to have Linda as his wife, and wrote this song as a tribute to her. It is also an address to her former husband; they married years earlier in 1962 before divorcing in 1965. McCartney 'tells' him that he was a silly man to let Linda go, and that he will never find another one like her.

Although most of it is in a minor key, the dramatic, layered backing vocals and airy rhythm make things a little lighter. You can probably imagine the smugness he had when writing and singing this: "I hope you never know, dear boy, how much you missed/And even when you fall in love, dear boy, it won't be half as good as this".

Burn.

My iPod #254: Stephen Malkmus and the Jicks - Deado

"Deado" is the last track on Stephen Malkmus' first 'solo' album after his former band Pavement split up. The term 'solo' doesn't really count though; "Stephen Malkmus" was recorded by the band he formed immediately after, known by the name of The Jicks. Malkmus wanted to release it under the band's name but the record label 'insisted' that he release it under his own. On iTunes and any other music service, you can only find the album under Stephen Malkmus, but I will label it under the group's actual name whenever I do a song from this album.

When listening to the album for the first time, I couldn't help but notice Malkmus' enthusiasm in his vocals compared to those in Pavement's last album "Terror Twilight". From sounding like a guy who wrote his songs and sang them just to get them over and done with, he sounded more confident - ready to embrace the challenge of doing something new - and as a result the album is quite upbeat and fun, with some laid-back parts here and there.

"Deado" is very laid-back. The acoustic guitars, various synthesizer noises and sound effects and the double-tracked vocal give the song a hazy and ethereal feel. It's the track that plays when relaxing and sitting in a chair in your back garden, or sinking your head into the pillow when you're about to go to bed. Soothing stuff to the ears.

Lyrically, I haven't a clue what it's about. My interpretation of it is that, somehow, it is from the Ess-Dog's point of view after becoming estranged from Jen who is referred to in the chorus (Listen to the preceding track "Jenny & the Ess-Dog" for more information). Apart from that... nah-I couldn't tell you. The song ends with a minute 'reprise' of another song from the album "Vague Space" before fading to silence, bringing to a fine debut album to a close.

My iPod #253: Green Day - Deadbeat Holiday

"Deadbeat Holiday" is the seventh track on Green Day's sixth album "Warning", released in 2000. The album is one of Green Day's 'softer' albums with less of a punk rock oriented sound and incorporating more acoustic elements (thank you Wikipedia). For this reason, it is not one of the band's most acclaimed albums. But at a time when punk rock was not as big, it showed that the band were able to look in a new direction.

For myself, "Warning" was the last Green Day album I listened to. The Green Day:Rock Band had recently come out and the only albums of theirs I physically possessed (and still do) were "American Idiot", "Dookie", "Smoothed Out Slappy Hours" (which is quite a strange choice looking at it now) and the "International Superhits!" compilation, which I got way before realising that compilations are not the way to go. Buy original albums, people.

"Minority", the title track, "Waiting" and "Macy's Day Parade" were tracks that I had heard when I initially started listening to Green Day about ten years ago. They were singles, and their videos were available to watch on the band's website. It was only the album tracks I had to go through now, and "Deadbeat Holiday" was another that was rather enjoyable. It's about living an empty life and feeling miserable which isn't so great, but the narrator's knowledge that they are not alone in this situation is somewhat of a comforter. It is very poppy though, which does lighten the mood.

My iPod #252: Muse - Dead Star

Whilst fans waited for a new album after "Origin of Symmetry", Muse released a video showing two performances in France the band did in October 2001. That video was simultaneously released with its accompanying soundtrack the following year in July. "Dead Star" was a new song the band recorded to promote the album and was released as a double A-side single with another song "In Your World".

I was seven when this song was released so I had no idea the song existed until about 2006. "Black Holes" was coming out, and MTV2 practically dedicated half-an-hour slots to the band so I can only guess that I found out about the track when its video came up during the time.

The track is not one of their most popular (not appearing on an actual album may have that effect on a song) but to be fair, it is just as good as anything on "Symmetry". Very loud as expected from early-noughties Muse. Great vocals by Matt Bellamy... as always. Brilliant instrumentation from Chris Wolstenholme and Dominic Howard. Overall, a decent track. And probably the most metal thing they've ever done.

My iPod #251: Billy Talent - Dead Silence

The first time I listened to the Billy Talent's fourth album "Dead Silence" (or fifth if you include their actual first album) I was lying in bed, ready to go to sleep and wake up for school the next morning. I tried to force myself to stay awake and pay attention to it, because Billy Talent are cool and it was their brand new album, but eventually I just became too tired and fell asleep about halfway through or so. However, I did regain enough consciousness to just about listen to the last few tracks.

The song is about trying to live in a time of war, with references to 'soldiers', 'machine gun fire' and 'bombs' in the lyrics, and ends with the narrator supposedly saying goodbye to his partner to join the army. Possibly. But Ian's solos, various guitar licks, Ben's passionate vocals and the pounding rhythm section of Jon and Aaron deliver a track conveying determination and hope for the future.

There is a music-during-the-credits-for-a-film vibe that I get from this track. I imagine "Swallowed Up by the Ocean" to be the music accompanying the sad ending, whilst "Dead Silence" captures the overall mood that the film delivers. I don't know why. That's just me.

My iPod #250: They Might Be Giants - Dead

"Dead" is the fifth track from They Might Be Giants' major label debut, and third album, "Flood".

I am at a loss of words in regards to it. There was something mesmerising about "Dead" the first time I listened to it in 2010; today it still raises that same feeling which I believe I could describe, but wouldn't have the vocabulary to do so.

The keyboard set to 'piano', which is the only instrument used in the song, resembles something that would accompany a silent film from waaaay back or a parade of some sort due to its major key and marching tempo. It is Linnell's depressing lyrics about not living life to the full, having regrets and people celebrating somebody's death that puts things into perspective. Happy music with sad lyrics is a thing that the band is known for, but this may be the one that really gets to me.

It is a beautiful. A real highlight from "Flood".

My iPod #249: Nine Black Alps - Daytime Habit

The studio version of "Daytime Habit" isn't on YouTube; here it is on the band's official site.

"Daytime Habit" is a song recorded by Nine Black Alps whilst recording their second album "Love/Hate". It ended up as a B-Side to the second single released "Bitter End". (It is a big problem that none of Nine Black Alps' official music videos are on YouTube; you'll have to look for that song on your own).

I heard the track for the first time when browsing the group's website. On there you can listen to "Everything Is", "Love/Hate", their B-Sides and a few of their old demos. I've said before that I do not have as much 'love' for their second album as much as I do for the one that preceded it and the ones that followed. If I could find the tweet I would also show you that the band posted that they wished they had recorded it better.* There was nothing wrong with the songs, I have two in particular that I think are very good, but it was mild and soft compared to "Everything Is" - it missed that cutting edge and the large front which the aforementioned album had.

"Daytime Habit" however is quite different. It has that glaring and menacing tone reminiscent of some tracks from "Everything Is", but still has the close and tight sound of "Love/Hate". It is an awesome song, and I believe if this and the many other B-Sides that were recorded during that period were actually put on the record I would have liked it a lot more. But that's how it is I suppose.

Whilst on the topic of Nine Black Alps, THEY HAVE A NEW ALBUM COMING OUT. APRIL 21ST.  I'm on it.

They unveiled a song from it already. Listen to the newer one.

* I found the tweet.

My iPod #248: The Beatles - A Day in the Life

"A Day in the Life" is the grand finale of The Beatles influential 1967 album "Sgt. Pepper's Lonely Hearts Club Band". Many consider this to be the greatest song the group did, and see it as the pinnacle of the experimentation the four guys had been undertaking during the mid 60s.

2007 was its 40th anniversary, and it was of an immense deal that the cast of Eastenders did a cringeworthy tribute of it for Comic Relief (take some time to think before you go to this) and a whole bunch of other bands (from Stereophonics to The Fray) got together to do a cover album as a tribute too. But it was two years later in 2009, when I first listened to the album and therefore the song. I did not think that it was worth all that fuss. I found out that it was. It's still not my favourite of theirs though.

In terms of the track... I think I was looked at its article on Wikipedia one time (God knows why) and the overwhelming detail it listed about "A Day" - its background, the dates it was recorded on, the crescendos of the brass, the combination of Lennon and McCartney's separate song ideas, the almighty piano chord at the end - it made me think I was missing out on a song of epic proportions. I had to listen to it.

Funnily enough, I didn't care for it so much the first time. I was thirteen. This opinion has changed. It is one of the greatest album closers ever.

My iPod #247: Soundgarden - The Day I Tried to Live

"The Day I Tried to Live" is a track, and also was a single, from Soundgarden's album "Superunknown", which celebrates its 20th anniversary this year. The band plan to reissue the whole album along with b-sides, outtakes and some cool t-shirts. You can pre-order the bundle here!

The song is another one of those which I heard for the first time when its video (above) appeared on MTV2. I liked it from that moment on. The descending bass riff at the beginning and its weird time signature (it changes from 7/4 to 4/4 throughout) was what caught my attention. The song also showed me how amazing Chris Cornell actually is as a vocalist. "Cochise", "Black Hole Sun", "Original Fire" - all those sung by him were some tracks that I'd seen on the TV before "The Day", but they never exhibited the range the man possesses. At some point in "The Day", Cornell's sings in a low register before screaming like a banshee in a split second. All in what is probably one take too. It is incredible.

Apparently, people have taken this track to be something of a suicide kind of thing, but Cornell stated that it is simply about getting out of the house and doing normal things instead of being a recluse. It is meant to be optimistic. He said so here almost twenty years ago. I will continue to listen to it with that mindset.

My iPod #246: Guttermouth - A Day at the Office

"A Day at the Office" is a song from Guttermouth's third album "Teri Yakimoto". I didn't find the track by actually listening to "Teri", but was listening to my own customised radio station on Launch. I always talk about this site... but I'm not sure if anyone knows what I'm talking about. It looked like this.

When the song came on, it was listed to be on the soundtrack for the film "Godmoney", a movie that I've never bothered to watch after all these years and probably won't in the near future. I also assume that the site didn't have "Teri Yakimoto" in its database or something.

The phrase 'a day at the office' is defined as 'an ordinary or typical event' by thefreedictionary.com. The track details a kid who is electrocuted by the next door neighbour, a guy who falls off a roof while his family go on a trip and eventually the death of everybody when a power plant 'blows' unexpectedly and sends deadly toxins into the sky. These are not ordinary or typical events. But obviously that's the joke.

What also adds to the humour is that the melody is really cheerful, so the lyrics don't really affect you until you properly read them.

"Pleasant dreams and thanks for listening."

My iPod #245: Yeah Yeah Yeahs - Date with the Night

How's everybody doin'.

I didn't know Yeah Yeah Yeahs until 2006, the year the band's second LP came out. It was that year that my sis started to like the one-woman-two-men group and borrowed "Fever to Tell", the band's first album released in 2003, from a friend.

"Date with the Night" was Fever's first single. It is about getting ready for a night out, looking forward to what awaits and wishing to fulfil expectations.

This song is noise. It isn't one you want to listen to if you need to relax. Guitars are screeching, drums are booming, lead singer Karen O moans and howls endlessly at various points of the track. Pretty hot stuff. Very hot actually.

I'll stop there.

My iPod #244: Pavement - Date w/ IKEA

Today's song is by Pavement, and taken from the band's fourth album "Brighten the Corners" released in 1997.

Unlike the majority I have on my iPod just because Stephen Malkmus basically wrote almost everything else, this Pavement track was written by the other guitarist in the band Scott (Spiral Stairs) Kannberg. He wrote quite a few for the group, getting two songs at the most on each of their albums bar "Terror Twilight".

What can you expect from this Kannberg composition? He's not that great of a singer (worse than Malkmus; he's not so good either) and the chord progression is quite basic. In fact it's the same one as that used in "Kennel District", but in a different key and everything. But it is a really enjoyable tune.

The title is a bit abstract; there is no mention of it in the lyrics. I never really think what it is about. I just sing along, and enjoy the music.

My iPod #243: Modest Mouse - Dashboard

Sorry, the post is a bit late. Had some work to do, you know.

I had never listened through song fully by Modest Mouse before "Dashboard" appeared on the TV seven years ago. The last few seconds of "Float On" were the only thing I had witnessed when I changed the channel onto MTV2 one time, but unsurprisingly those seconds didn't last long in memory.

The video for "Dashboard" was regularly advertised, being shown as the 'brand new single' from the band's then forthcoming album "We Were Dead Before the Ship Even Sank". It was their first album in three years, and Johnny Marr, formerly of The Smiths, had recently joined the band's lineup so interest was high. I say this like I know; I only assume, I was twelve at the time.

Dashboard is about taking the positive aspects from a less than satisfactory car journey. Or a car accident. Maybe more the latter. The dashboard melted, but hey look on the bright side.... they still had the radio. Even with the positive message, the song itself is not bright and happy melodically. There's something about those strings after the first chorus that reminds me of being on the sea during a thunderstorm. Like a pirate sort of thing. But maybe that's because of its music video.

The video is funny too. Apparently Seasick Steve is the barman who has the guitar fretboard for a leg at the end (you'll need to see it to understand).... but I swear it looks nothing like him.

My iPod #242: Franz Ferdinand - Darts of Pleasure

This is no mistake. I have no song by another artist between this one and yesterday's, so here's Franz Ferdinand again. This time with "Darts of Pleasure", another track from their debut album. It was actually their first single, months before anyone would know about "Take Me Out", and just missed out on a Top 40 place reaching #44 in the UK singles chart. The song itself is about the use of words to seduce somebody. The words are the darts of pleasure.

I can't exactly remember when I first saw the video for "Darts", but I have a feeling that the other singles from the album had already been released before I saw it on MTV2. It seems to be on a low budget compared to their later videos which is standard as it was their first single. In it, the viewer sees life from the point of view of Alex Kapranos' mouth where various antics occur. It's funny or icky depending on how you look at it.


The best part is definitely the coda with the German lyrics during the final minute, why the band chose to use it we'll never know but I'm not complaining.

My iPod #241: Franz Ferdinand - The Dark of the Matinée

"The Dark of the Matinée" was the second single from Franz Ferdinand's debut album, released in February 2004.

According to Kapranos, or what I could make from him before he introduced this song at a festival, the track is about skiving off school and hiding away in the shadows of the matinée. Every music channel showed the song as simply "Matinée" which is (I'm guressing) what everybody generally calls it. Maybe even some Franz Ferdinand fans if they're too occupied to say the full title. Either way it is the same song, but it is the darkness of the matinée which is being specified that is being established as the hiding place, and not just the building itself.

Whatever.

It is remarkable to think it has been ten years since I first heard this. This was one of my favourite songs at the time. I thought the video made the song even better. The 'robotic' choreography, Alex Kapranos' fringe and the huge painting of Terry Wogan during the final verse. I had daydreams of being in a band and making a video like it. I wanted Looking at it now makes me want to that eight years old who would wake up early in the morning to watch MTV2, actually watch music videos and discover bands for the first time all over again.

It wasn't as successful as "Take Me Out", which I'll get on to ages from now, but to me it certainly brings back some good memories.

My iPod #240: They Might Be Giants - Dark and Metric

"Dark and Metric" is a track from the album "Long Tall Weekend" by They Might Be Giants.

Again, I'm left with little to say about this one. If only I actually knew more about music like modes, and steps etc. etc. I would be able to tell you a lot more. But there's something about the way it sounds that didn't feel right when I first listened to it. There's no phasing, panning or any special effects, just the vocal, keyboard and the rhythm section which are then joined by a slide guitar nearing the end. It leaves the song sounding a bit empty, and quite uneasy. It grew on me eventually.

The melody's perky but matched with lyrics about living in a town where nothing happens; the narrator puts on a brave face but inside knows that they will become miserable at some point.

See ya.

My iPod #239: Arctic Monkeys - Dangerous Animals

So...... "Humbug", the album where Arctic Monkeys started to change. Or at least embarked on a different direction in terms of sound. The majority of band members grew their hair longer, the recording process took place in California and was overlooked by Queens of the Stone Age frontman Josh Homme, all of which contributed to the moodiest* ten songs that the group have released.

It was 2009, and the Monkeys hadn't released an album for two years. "Crying Lightning" came out as the first single; many people were impressed. I didn't like it that much on first listen but it has grown on me since. Nevertheless, The Monkeys were back.

The album was released, and I thought I might as well hear it. It's a new Arctic Monkeys album, you know? I downloaded the individual songs, listened to the whole thing throughout, and didn't think a lot if it... but "Dangerous Animals" though. That got me.

"Dangerous Animals" is the third track, coming after "Crying Lightning". Straight up, it is a song about sex. If you look at the lyrics, and the title you'll probably understand why eventually.

It is a great track though. The stomping of the drums, the catchy guitar hook that never ceases and repeats until it's embedded in your brain.... The title being spelt out during the chorus. Ah, man. It's the only one from "Humbug" I have on my iPod. Just because it sounded like something that could have been on "FWN".

A cool track on an alright album.

*Not moody as in depressing, but moody as in it covers a whole range of moods. If you get what I'm trying to say.

My iPod #238: Test Icicles - Dancing on Pegs

Near the end of Test Icicles first and only album "For Screening Purposes Only" comes "Dancing on Pegs", a track written by guitarist Rory Atwell.

Can't say much about the song... It has no deep meaning to me, or in general. I just think it's really cool. Atwell once claimed it is about a relationship, but you wouldn't really tell from the gory imagery made by the lyrics. Chopping someone down at the knee and bloody raw hands aren't really the things I would come up with if I was taken. It's sinister in tone, but quite hilarious too.

It's a very noisy track. Not like there's a whole mesh of instruments smashed together so the lyrics are incomprehensible or anything. Everything's a bit distorted, some cool riffs occur during the verses and it's delivered at a very quick rate.

Listen to it if you're interested.

My iPod #237: Blur - Dan Abnormal

"Dan Abnormal" is a track from Blur's fourth album "The Great Escape".

I listened to the song way before actually listening to the rest of Blur's discography. The band had performed in Hyde Park for the Summer 2012 Olympics closing ceremony, and decided to remaster all their albums for their 21st anniversary as a group. So I thought I would listen to "The Great Escape" out of all of them, even though it's not Damon Albarn's favourite nor is it the favourite of the majority of Blur fans.

Albarn once said that all the songs on the album are about him in one way or another. "Dan Abnormal" is probably the one that you could say is explicitly about him. Look at the title and then rearrange it. Does that mean it's the centerpiece of the album? Naaaaaaaah.

Apart from obvious tracks (Country House, Charmless Man, The Universal, Stereotypes), Dan Abnormal was one that actually stayed in my head after listening to the album for the first time. Not really sure why. The chorus was quite memorable, a lot of "la-la-las" are involved and the overall melody wasn't hard to forget.

It might not be very impressive for some, but I like it and that's all that matters.

My iPod #236: They Might Be Giants - Damn Good Times

When I started listening to They Might Be Giants properly in 2004, they had just released their latest album "The Spine", and were due to release this album where each song was dedicated to various music venues located in states of the USA.

"Damn Good Times" can be found on "The Spine", and its video above was able to be viewed on the band's official website. It is animated, a bit weird and oddly similar to the plot of Twilight.

John Flansburgh normally writes the rockers in They Might Be Giants, and this song is no different. The rhythm section of Danny Weikauf and Marty Beller are really on point, there's a lot of crash cymbal action during the verses and the bass slide during the chorus and accompanied with the lyrics about concerning a naturally talented lady, the tune is very uplifting.

The actual song finishes about a minute and a half in before transforming into this slow jam with a guitar solo which gradually builds pace before coming to an end. 58BPM to around 130 apparently.

Yep, TMBG never disappoint.