When I was standing on a chair in the living room and being an idiot like every other child, the original video for "Decent Days and Nights", the song from The Futureheads' debut album came on MTV2. In the video, the band were in a huge warehouse, standing on podiums whilst playing their instruments. That video seems to have disappeared, as it's not even on YouTube. Does anyone else remember the version I am talking about? It is cool if you do.
No, the video above is one they produced when they re-released the single in 2005. That was the radio mix, which included a new introduction and overall cleaner production. The version I listen to is the original album version, which is the opposite. The guitars sound a bit rough and messier, I swear I always hear this hissing sound during the 'chorus' but apart from that the punchy drums, those sweet harmonic vocals the band are known for and the song structure is the same.
I also didn't recognise until recently why I thought this song was a bit disorienting. The time signature changes throughout the bloody thing. It is 4/4 for the majority, but it switches to 3/4 and 2/4 too. It's very strange, but does it makes the track a lot more fluid. The verse just rolls right into the 'chorus' (which it doesn't really have hence the apostrophes) which then segues into the bridge and so on and so forth. Not one section drags on for too long and so it maintains your attention.
Another one to remember from the good times that were the mid-2000s.
Ah, Coldplay. Not my favourite group. But nevertheless they are back with a new album, their sixth to be exact, in May entitled "Ghost Stories". They've put out two songs already: "Midnight", which got some polarizing feedback due to its minimalism - and the first official single "Magic" which is quite similar to "Midnight in the way that there are barely any instruments in it, but actually has a beat and a good melody. It is the one which I like a bit myself and it is better than the former song. But that's just my opinion.
Today's song is the other title track from Coldplay's fourth album "Viva la Vida or Death and All His Friends", commonly known as "Viva la Vida". Most people know it for the album where Coldplay changed. They went around wearing suits a la The Beatles during the Sgt. Pepper phase and generally went for a new approach in making their music. Some may have found it pretentious. I think it's their best album. I have "Parachutes", "A Rush" & "X&Y"; they have their moments, but "Viva" along with "Prospekt's March" - that is good listening. No to "Mylo Xyloto" though.
The beginning of "Death and All His Friends" is actually a song that was meant to be separate altogether. This was its original incarnation. It's very calm and soothing for the first half before bursting into life when the rest of the band join in and abruptly changing into the soaring and climactic ending (in 7/4 time signature) which will catch any first listener by surprise. The song is a triumphant ending to a wonderful album. There is a full version of the instrumental that you hear at the beginning of the very first track of the album, but I cut that out before putting it on my iPod. You can't beat that ending.
"Dark and Metric" is a track from the album "Long Tall Weekend" by They Might Be Giants.
Again, I'm left with little to say about this one. If only I actually knew more about music like modes, and steps etc. etc. I would be able to tell you a lot more. But there's something about the way it sounds that didn't feel right when I first listened to it. There's no phasing, panning or any special effects, just the vocal, keyboard and the rhythm section which are then joined by a slide guitar nearing the end. It leaves the song sounding a bit empty, and quite uneasy. It grew on me eventually.
The melody's perky but matched with lyrics about living in a town where nothing happens; the narrator puts on a brave face but inside knows that they will become miserable at some point.
I was born a year after "Smash", The Offspring's breakthrough album came out. I first heard "Come Out and Play" when its video played on MTV2.
One main thing went through my head whilst watching it. That was why Dexter Holland thought that having dreadlocks was a good look. All the time I saw an Offspring video, he had spiked up hair and to see the previous hairstyle he had before was a bit strange.
Apart from that the song was much different to any Offspring song I had heard before. I was a big fan of songs like "Pretty Fly", "Hit That" and "Original Prankster" to name a few, and they were all songs with quite comedic and sarcastic subject matter.
"Come Out and Play" is more menacing in tone, but is made cooler by the Arabian-sounding guitar that plays during the instrumental break. The song is simply about gang culture, I can't say anymore on that. It is a song of a very serious matter, no matter how engaging the song's title is.
I'm so happy.
I don't know if I can write enough for today's song. I might not be able to concentrate. Let's do it.
Well, well, well. It's Green Day.
It's the year 2000. I am five years old. I have no clue who Green Day are at this point. The band on the other hand have their fair share of fans after gaining a lot of success during the nineties.
Then comes the twenty first century, and the rise of boybands. Everyone begins to love boy bands again. What can Green Day do to regain their status? Nothing much to be honest. They release their sixth album "Warning" which - however bleak the album cover may be - captures the band at their most sophisticated point, mixing their original punk style with more accessible melodies and a wider use of instruments.
That's not apparent in "Blood, Sex and Booze", which is probably the band's sleaziest song to date. Well, the song's not sleazy. The narrator describes their love for being dominated in the bed. That's all. It's not my favourite from the album, but it rocks pretty hard. It deserves its place on my iPod.
I can't write any more. I can't think of anything to say.
If I have any British followers who also got their results today and got their places... CONGRATULATIONS. I'm happy for you.
1966 was a good year for England. The football team won the World Cup, Tony Adams was born, and The Beatles unveiled their seventh album to the world. Except for the USA, who wouldn't hear the album in its original form until the remastered CD in 1987.
Revolver. My favourite album by The Beatles. One of my favourite albums by any band.
Where can I start? I think that everything I would say about it has been said by almost every reviewer there is. I'll leave it to you lot to find out what they say.
Upon seeing the Beatles light in 2009, I went on any site where I could download their whole discography. 'Revolver' was one of their first albums I downloaded, and then I didn't know what to think of it. I've said many times that it takes a few listens to appreciate each song individually, resulting in an accumulated appreciation for the album as a whole. This was another of those times.
I think the fact that the songs were so short was something that made the album seem really quick to me. I would be listening to a song, and then it would finish and it was onto the next one. It was hard to get into something when the last chord faded out before your ears.
'And Your Bird Can Sing' was one example. Barely over two minutes, it's one of the shortest songs.
Listening to it again and again though, I finally understood why the song was so sick. Sick is good. Now, it's come to a point that when I see the cover, I either think of the fake countdown at the beginning of 'Taxman' or the introduction of this song.
It's actually one of the more 'basic?' pieces of the album. A straight-forward rocker written by Lennon, with dual-guitar solos by both George Harrison AND Paul McCartney, Ringo doing his stuff on the drums. It;s just a really cheerful song, with hubris at its finest in the lyrics:
'You tell me that you've heard every sound there is And your bird can swing, but you can't hear me You can't hear- MEEEEEEE.'
It's just a huge 'You suck. I'm great' message. It's brilliant. It's everything you want musically and lyrically, and it's only done in a short amount of time.
Then 'For No One' starts. Then you need to get the tissues. For drying your eyes.
It was clear that the band was a world away from their mop-top mania stage and had already embraced their dive into the unknown. That's why they're so great you know? They changed their sound on every album and they still sounded good! JESUS.
2012 was a sad year for all Beastie Boys fans. Adam 'MCA' Yauch passed away with salivary gland cancer, since then the hip-hop trio have gone on hiatus but it is hard to imagine that Ad-Rock and Mike D could perform under the 'Beastie Boys' moniker without that trademark low and raspy vocal.
I liked Beastie Boys, but I had never listened to any of their albums. It sounds bad that I only decided to after MCA's death, and as I type I do feel quite shitty for not listening to one earlier.
Upon release the album received mostly positive reviews. The majority of them mentioning how the trio were branching out with their sound, gaining influence from an eclectic range of genres and successfully stepping forward in progress from previous releases. This is understandable, compare this album with their debut 'Licensed to Ill' for example.
'And Me' was one of the songs that caught my attention upon my first listen. To my knoweledge, it was the first time that Beastie Boys had ever had such a calm and mellow vibe in a song. No one raps, it's just Ad-Rock (though I am not sure) singing accompanied by synthesizers and a steady drum beat. I had never heard something like that by them before.
Sure the song is a bit repetitive, the melody is the same for every verse. Maybe it's because they're better at rapping, but I don't know. It's a very under rated song, so listen to it and see what you think about it.
