My iPod #229: Pavement - Cut Your Hair

Ah.... the first Pavement song I ever heard. It all started from this.

I was ten years old, probably getting to eleven, and I was downstairs nice and early whilst everyone else stayed in their beds to watch the music videos on MTV2. "Cut Your Hair" came on, played for the its three minute duration, and then was gone. But it got stuck in my head. The "ooh ooh ooh" chorus, the easy-to-remember 'riff' (don't know whether it's a riff or not)..... I am certain that that was the only time I saw the video on that channel before it got revamped, renamed and whatever else the company did to totally remove its credibility.

The music video is really simple and not at all serious. The band come into a barbershop, weird things happen when each member sits in the chair resulting in no one getting their hair cut and they leave when the song finishes. Does it have anything to do with the song? Not really. It's more of an obscure "Hey we're Pavement" type thing, seeing as this was the band's first proper music video to go with a song that did quite well commercially. Although, it did leave me wondering who played what instrument and who the person singing was.

Anyway, "Cut Your Hair" is a song about people in the music industry caring more about their appearances than they do about the actual music. It is sarcastic in tone, something supported by Malkmus' trademark loose and "off-key" vocal.

I liked it so much I put the video on my Piczo site; every kid who was in Year Six (2005/06) will know what I'm talking about. Too bad that company died, and my site is gone now.

"Cut Your Hair" is on the band's second album "Crooked Rain, Crooked Rain" from 1994.

My iPod #217: Guttermouth - Cram It Up Your Ass

Um.... Okay, I know this looks bad.... let me explain.

"Cram It Up Your Ass....... really? What the fuck." That may be one of the thoughts that may have come to mind when you first saw the title. If you have come to this from my Twitter page, you may be even more confused and surprised. I couldn't put a song title like that on my feed; people wouldn't even want to click on the link otherwise.

Enough about that. "Cram It Up Your Ass" is the closer to Guttermouth's first major release "Covered with Ants" and is one of the funniest songs I have ever listened to. And one of the creepiest.

The only reason I know of this song is because all I wanted to do, when I was ten and playing Tony Hawk on the PS2, was find and listen to "I'm Destroying the World" on the computer for minutes on end. However I could never do that; I always had to listen to thirty second samples instead on random music sites. Whenever it said 'download', the link would take me to a place where I had to pay... I'm not about that life.

"Cram It Up Your Ass" is on the same album as "Destroying the World", and the title looked interesting so I decided to hear it's sample. Nothing much happened, as you can tell. Just the lead singer singing the title over a bass that was playing the vocal melody. No big deal.

That was until, years later, I found out that it turns into a proper headbanger where all the guitars play the vocal melody in unison with frenetic drums rolling around all over the place. The dynamics are a very key part of this song. The last lines "Do you still like me?" are sung when the instruments come to a sudden stop, leaving the singer all alone. That part freaks me out a bit.

It doesn't end there. After a few seconds of silence, a bloody grand piano comes in and plays the vocal melody over and over again for five minutes or so! I don't know. I cut that bit out though, that part is unnecessary.

How could I even write so much about this track.

My iPod #98: They Might Be Giants - Birdhouse in Your Soul

Here it is, They Might Be Giant's biggest song. Commercially anyway. This, "Istanbul" and "Boss of Me" were their only songs to chart in the UK. Shows how much we know about music. I'm only joking, we know quite a bit about music. It's a shame we just never appreciated this band as much.

I've just woken up from a nap so please excuse any spelling mistakes, or anything that clearly doesn't make any sense.

They Might Be Giants released "Birdhouse in Your Soul" as the first single from their major label debut, "Flood". The song, from the perspective a 'blue canary' night-light who 'watches over you' in your sleep. Not in any strange kind of way, but to guard you from the demons and monsters of the night. Like a guardian angel, it's always near.

Now I don't know what affect the song had on people when it was initially released in 1990. I still had another five years to go until I was born, but judging from the stats I see on Wikipedia and TMBW it helped the band gain a bigger following of fans after reaching top ten positions in the UK and in the US Modern Rock chart in the US.

When I was younger and started listening to They Might Be Giants, I knew that I'd heard the song from somewhere. Perhaps in an advert, or it played in the background of a TV show or something. But I didn't know it was the band who sung it. I watched the video on Yahoo's LAUNCHcast website, and it made me like the song even more. The weird zombie children, the random bike riding around the band, the choreography, it's nice to see the band in one of their music videos too.

If you want to listen to the demo from Dial-a-Song, here it is.

Until tomorrow.

Jamie

My iPod #87: Nine Black Alps - Behind Your Eyes

There's no video for this song on YouTube. Click on this to listen to it.

Hmmm..... so Nine Black Alps. I briefly touched upon them on a previous post - one that was quite rushed, seeing as I had forgotten to do a post on it in the 'A' series.

I always go on about my favourite bands on here. There's They Might Be Giants, and Billy Talent too. Well, Nine Black Alps are another. Let me tell you why.

Why, I must have been ten years old or something when I first saw their video for "Unsatisfied" on MTV2. I always changed the channel when it came on, because the introduction sounded so depressing..... and the lead singer never smiled or anything. He just looked bored all the time. I didn't wanna watch that. They then released "Just Friends" as a single, and that was a song I didn't care for much either. For me, it was a much better song but it's 2 and a bit minutes long, and it goes by quickly. Nope. Nine Black Alps weren't the band for me

That was until the advert for their album "Everything Is" started airing on the television. It showed a few seconds of the two music videos for the songs I already mentioned. But it was the one for "Not Everyone" which really caught my attention. That's for another blog. Then their songs started showing up on every EA Sports releases. First, "Cosmopolitan" was part of the EA Trax in FIFA 06, and then another of their songs, "Shot Down" appeared on Burnout Revenge.

Long story short, I got the album as a present for my eleventh birthday. It's one of my favourites. "Behind Your Eyes" is a song from there.

"Behind Your Eyes" is one of the two acoustic songs on "Everything Is". It comes after five songs full to the brim with hard-hitting riffs, loud guitars and various lyrics about dying, obtaining weapons and other morbid subjects. The album as a whole has quite a war-like concept to it. I'm not sure whether it's a concept album or not. It could be.

Anyway, "Behind Your Eyes" introduces a sense of hope. A light, not quite at the end of the tunnel, but one  that shines for a few minutes until it flickers out. But you still manage to find a way through the darkness. That is until the light goes and then everything is dark again. I say that because as soon as "Behind Your Eyes" finishes, it's back to the guitars and dark lyrics.

Yeah, it's a pretty song amongst the madness.

Until tomorrow.

Jamie.

My iPod #38: The Beatles - And Your Bird Can Sing

1966 was a good year for England. The football team won the World Cup, Tony Adams was born, and The Beatles unveiled their seventh album to the world. Except for the USA, who wouldn't hear the album in its original form until the remastered CD in 1987.

Revolver. My favourite album by The Beatles. One of my favourite albums by any band.

Where can I start? I think that everything I would say about it has been said by almost every reviewer there is. I'll leave it to you lot to find out what they say.



Upon seeing the Beatles light in 2009, I went on any site where I could download their whole discography. 'Revolver' was one of their first albums I downloaded, and then I didn't know what to think of it. I've said many times that it takes a few listens to appreciate each song individually, resulting in an accumulated appreciation for the album as a whole. This was another of those times.

I think the fact that the songs were so short was something that made the album seem really quick to me. I would be listening to a song, and then it would finish and it was onto the next one. It was hard to get into something when the last chord faded out before your ears.

'And Your Bird Can Sing' was one example. Barely over two minutes, it's one of the shortest songs.

Listening to it again and again though, I finally understood why the song was so sick. Sick is good. Now, it's come to a point that when I see the cover, I either think of the fake countdown at the beginning of 'Taxman' or the introduction of this song.

It's actually one of the more 'basic?' pieces of the album. A straight-forward rocker written by Lennon, with dual-guitar solos by both George Harrison AND Paul McCartney, Ringo doing his stuff on the drums. It;s just a really cheerful song, with hubris at its finest in the lyrics:

'You tell me that you've heard every sound there is
And your bird can swing, but you can't hear me
You can't hear- MEEEEEEE.'

It's just a huge 'You suck. I'm great' message. It's brilliant. It's everything you want musically and lyrically, and it's only done in a short amount of time.

Then 'For No One' starts. Then you need to get the tissues. For drying your eyes.

It was clear that the band was a world away from their mop-top mania stage and had already embraced their dive into the unknown. That's why they're so great you know? They changed their sound on every album and they still sounded good! JESUS.

Revolver forever.

Until next time.

Jamie.