My iPod #213: Blur - Country Sad Ballad Man

I'm back in uni! Yaaaaaaaaaay.

The three weeks back at home were good, well they were okay. It was nice being with the family but it did get very dull within a few days. Home just doesn't compare to university. I am sorry, sis.

"Country Sad Ballad Man" is the third track from Blur's self-titled album from 1997. Blur decided that they were done with the whole 'Britpop' scene by this time, and instead wanted to make some standard indie rock, Pavement influenced material instead of the character narratives that Damon Albarn had written for the last three albums.

I listened to "Blur" the whole way through during the late summer last year. I was lying in bed and was starting to fall asleep but I do remember hearing this tune. Coming after "Beetlebum" and "Song 2", the first and second singles which I knew inside and out, "Country Sad" was the first that left me in the place where I had no idea what was going to come next.

It takes quite some time to start. A steady, ticking drum beat along with an mouth harp start things off sluggishly, and then the deep bass and almost mono-aural guitar comes in. It all sounds very enclosed and compact. Damon alternates his pitch going from high to sounding weary and tired, whilst singing about self-pity and isolating himself from society. Entertaining stuff.

Weary and tired is very much the atmosphere that "Country Sad" achieves; that is until Graham suddenly brings in the guitars for the last minute or so which raises spirits for a bit but in the end, this song is not one to listen to if you want to make yourself feel better about something.

If you're disappointed with my 'thesis' on the song, here are some funny arrangements that you can change title too:

"Country Bad Salad Man"
"Country Mad Ballad-San"
"Country Mad Salad Ban"

.........Those aren't funny.

My iPod #178: Blur - Charmless Man

"Charmless Man" was released as the final single from Blur's fourth album "The Great Escape", the album which (I am not afraid to say) I actually prefer to "Parklife". What are you going to do about it? I thought so.

I saw the music video on the TV when I was about 10 or so. I thought it was quite funny. The band stalks a man, he then runs over them, but he ends up in the room where they are playing the song. You probably have to watch it to become more enthused than when you just read my description of it.

Yeah, I think the song is okay. It is not my favourite from the album; the 'na-na-nas' hook can become a bit annoying, but I guess it reinforces the whole message behind the tune. And it reminds me of a time when I could just watch music television without feeling I had something more important to do.

My iPod #60: The Beatles - Baby, You're a Rich Man

"How does it feel to be one of the beautiful people?"

"Baby, You're a Rich Man" was originally released a b-side to "All You Need Is Love" in the summer of 1967.

Everything was still fine with the group; Brian Epstein was alive and they had been revelling from the success of their then new album "Sgt. Pepper's Lonely Hearts Club Band". Yep, things were going strong. Probably better than ever before.

The band then decided to start work on "Magical Mystery Tour", in those sessions this song was recorded. The actual thing started out as two separate ideas that Lennon and McCartney had, the former with the aforementioned quote at the top and the latter with the "Baby, You're a Rich Man" chorus. With a few tweaks and shape ups, they ended up with the song that you and I enjoy today.

Apparently at the very end of the song when everyone is singing the chorus, John sings 'baby, you're a rich fag jew' in reference to their manager Brian Epstein who was a homosexual... and Jewish. I can't hear it, it's probably just a rumour. Thinking on the lyrics now, it may be that the song is about him - but that's for discussion.

It's very groovy, with smooth bass playing by Paul and a clavioline by John which makes those random noises in the intro and during the verses. The highlight for me is at the end when the song picks up pace, everyone's shouting the title at the top of their voices and the song fades out. Everyone sounds so happy and we all know that they wouldn't be that way for much longer, but that particular part makes me want to be in the studio with them.

You know the video for "Hello, Goodbye" when everyone starts dancing? This is the audio version is that.

It's also something that makes me want to have more songs on The Beatles Rock Band. Can we have more songs on that game? Probably not.

Until tomorrow.

Jamie.